News

香港理工大學國家藝術基金 2025 年度藝術人才培訓資助項目成果展《時代回應筆墨——中國筆墨精神的當代轉譯與時空對話》展覽圓滿結束

中國筆墨精神的數碼轉譯引起廣泛文化共鳴，虛擬展廳同步推出，讓觀展體驗得以延續   由香港理工大學主辦、香港理工大學設計學院、深圳市關山月美術館、香港理工大學文化與藝術科技研究中心及香港理工大學英偉達聯合研究中心共同承辦，獲中國香港特別行政區政府文化體育及旅遊局文化交流活動資助的國家藝術基金2025年度藝術人才培訓資助項目成果展《時代回應筆墨——中國筆墨精神的當代轉譯與時空對話》，於2026年8月4日在深圳市關山月美術館正式圓滿閉幕。   本次展覽自 7 月 10 日開展以來，持續受到社會各界的廣泛關注。展覽期間有超過兩萬人次觀眾參觀，來自不同界別、不同年齡層的觀眾絡繹不絕，在數碼水墨、實驗影像數碼水墨、全息書法、互動裝置等作品前駐足體驗，許多觀眾多次到訪，反響熱烈。據悉，展覽期間舉辦的「墨韻・時代對話」研討會及系列公眾工作坊亦吸引大量藝術愛好者與專業人士參與，現場交流氣氛濃厚。        兩大板塊建構跨媒介筆墨對話   展覽以「筆墨當隨時代」作為學術起點，圍繞「時空對話」與「當代轉譯」兩大板塊展開，集中展示來自大灣區粵港澳的特邀藝術家及學員藝術家，圍繞中國筆墨精神與數碼藝術融合進行的創作實踐及文化交流。   「時空對話」板塊聚焦筆墨精神的歷史縱深與哲學延展。靳埭強教授的光纖水墨創作原型作品，將傳統水墨與光纖互動物料結合，令靜態筆墨轉化為流動光影；梁藍波教授的沉浸式裝置《幻彩・嶺南 Ⅱ》以數碼光影重構嶺南山水意境，營造出雲行水流般的當代水墨場域；范勃教授把影像作品《歸途》與雕塑作品《狂歡》並置，透過多維媒介交織，探討記憶與精神的深層命題；張瀚謙的《浪書——筆陣圖》運用浮空全息投影技術，將書法筆陣從紙面釋放，轉化為由腦電波數據驅動的三維書寫動態影像；熊海、熊輝則透過傳統水墨與實驗水墨兩條不同路徑，展示筆墨語言在不同時代語境下的延續與革新。   「當代轉譯」板塊聚焦數碼技術介入之下的媒介實驗與感知重構。化建國與李書天的 AI 生成式影像裝置《騷動的池塘》，以人工智能及數據作為媒介，透過演算運作捕捉東方詩意；許楠的動態裝置《巃》及《觸觀》，把筆墨由視覺經驗拓展為可觸、可感的身體對話；修昕昕的三聯屏環繞影像裝置《舷窗》，以海島體驗為起點，藉由虛實相融與留白流轉，將「向外望」轉化為「向內觀」的精神回歸；黎小敏與劉明鑑聯手創作的沉浸式 AI 互動裝置《行間》，則讓觀眾由旁觀者轉變為共創者，即時互動之下一同完成數碼時代的筆墨再創造。             學術研討與公眾教育深化展覽維度 展覽期間，主辦單位圍繞展覽主題舉辦了《墨韻・時代對話》數碼藝術研討會及系列公眾工作坊。參展藝術家在研討會上分享了其跨越不同媒介的創作理念，深入探討筆墨精神如何在數碼時代保持文化內核。三場工作坊均由項目學員開展，黎小敏、修昕昕與劉雅丹、朱淑楨為參與者提供了一次關於藝術的深度體驗。               虛擬展廳上線，延續筆墨對話 作為國家藝術基金2025年度《數碼藝術展覽管理人才培訓》項目成果展，是次展覽由項目學員全程深度參與，涵蓋策展統籌、視覺設計、空間規劃、公眾教育、宣傳推廣以至展覽執行各個範疇，透過真實的展覽實踐，落實「以展促學、以展育人」的人才培育理念。實體展覽雖已落幕，為讓更多觀眾感受這場跨媒介的筆墨旅程，主辦單位特設線上虛擬展廳，打破實體空間的界限，令傳統與當代的交匯於雲端持續延續。 虛擬展廳連結：https://hkpolyu-rccat.com/cnaf/exhibition/   參展藝術家 范勃 中央美術學院博士。現為廣州美術學院院長、學術委員會主任、二級教授、博士生導師，獲國務院政府特殊津貼。兼任中國美術家協會第三屆實驗藝術委員會主任、中國美術家協會第五屆油畫藝術委員會副主任、中國油畫學會副會長。 《歸途》范勃 影像裝置 尺寸可變 2025   化建國 曾任河南省美術館館長，河南省美術家協會副主席，現為河南省美術家協會顧問，享受河南省政府特殊津貼專家，河南大學藝術學院研究生專業導師，國家一級美術師，中國美術家協會會員，國家藝術基金評委，河南省非物質文化遺產保護工作專家委員會評委，2014年被評為全國文化系統先進工作者。 《騷動的池塘之十三》化建國 紙本水墨 148 × 222 cm  2010   靳埭強 國際知名藝術家及設計師，1967 年追隨呂壽琨先生習畫，為香港新水墨運動活躍成員，曾任一畫會會長。現為汕頭大學長江藝術與設計學院榮譽院長、香港理工大學榮譽設計學博士及榮譽教授、香港康樂及文化事務署藝術顧問、香港藝術館榮譽顧問、中國文聯香港會員總會顧問。    《心曲》 發光互動針織手袋 材質：超細美麗諾羊毛、全粒面皮革、聚合物光纖（POF） 藝術家及顧問：靳埭強 手袋技術研發及製作：GERI 手袋設計：DEMO OFFICIAL     梁藍波 澳門大學特聘教授、博士生導師、藝術設計系數碼藝術中心主任、曹光彪書院副院長，美國哥倫比亞密蘇里大學終身教授，廣州美術學院客座教授，中國美術家協會會員，中央美術學院博士，加州藝術學院碩士。 《幻彩・嶺南 Ⅱ》 藝術家：梁藍波 數碼藝術創作：梁藍波、趙炎修 水墨影像：06:13 循環播放 作曲：陳怡 演奏：波士頓現代管弦樂團 中胡演奏：王國偉 沉浸式影像裝置：360 × 320 × 320 cm 2026   熊海 1957 年生於廈門鼓浪嶼，1981 年追隨楊善深老師習畫，1983 年加入「一畫會」，1984 年至今於香港大學專業進修學院任教。現任香港大學專業進修學院客席教授及榮譽院士、香港康樂及文化事務署博物館專家顧問、中國美術家協會理事、香港美協執行主席、中國國家畫院都市水墨研究員、國家藝術基金評審專家。 《繪畫六法 — 傳移摹寫 之二十四（熊海及熊輝合作）》 水墨紙本設色 79.5 × 179.5 cm 2025   熊輝 1988 年生於香港，2013 年畢業於香港中文大學，主修藝術。受到當代藝術實踐啟發，熊輝發展出融合視覺與觀念語言的獨特表達方式，拓闊水墨藝術的邊界。 《迷》之二 熊輝 水墨紙本裝置 192 × 192 cm 2025   張瀚謙 是一位以新媒體藝術裝置和前衛電子視聽表演聞名的藝術家。張氏創作風格與美學觀獨特，糅合傳統和未來的概念，把其對東西方哲學的詮釋融匯革新。2025年獲頒第十九屆香港藝術發展獎的「藝術家年獎」（媒體藝術）。 《浪書 —— 筆陣圖》 張瀚謙 浮空投影 2026   李書天 2015年畢業於天津美術學院綜合藝術系，2019年取得天津美術學院油畫系碩士學位，2026年於華東師範大學美術學院修讀藝術管理方向博士課程。藝術家、策展人，兼任鄭州櫻桃美術館藝術總監、鄭州印之星美術館館長、鄭州科技學院藝術學院美術館常務副館長、鄭州市美術家協會當代藝術委員會委員、鄭州市美術家協會理論與策展藝術委員會委員。近年先後於上海、南京、鄭州等地多次舉辦個人作品展覽，並於全國各地主持及策劃展覽活動四十餘場。 《騷動的池塘》 李書天 × 化建國 AI 生成式影像 尺寸可變 2026   修昕昕 本科畢業於中國美術學院，碩士畢業於倫敦藝術大學，現為澳門大學博士生。其研究方向聚焦視覺藝術當中「原性」與「獨創性」的關係，創作範疇涵蓋攝影、數碼影像、裝置及品牌視覺設計等領域。 《舷窗》修昕昕 三聯屏圍合影像裝置 尺寸可變 2026   許楠 副教授，本科及碩士畢業於天津美術學院雕塑系，2013年留校任教。2018年主持國家藝術基金傳播交流推廣項目「絲綢之路雕塑與壁畫數碼藝術博物館」。2019年主持藝術人才培養項目「泥人張彩塑走進高校」。科研與創作範疇涵蓋雕塑、非遺數碼化、科技藝術等領域。曾於國內、美國費城、韓國首爾等地策劃多場藝術展覽。 《巃》許楠 動態沉浸式科技裝置 2026   黎小敏 數碼藝術從業者，現任深圳技術大學創意設計學院藝術與科技系教師，作品於荷蘭、新加坡、中國等地展出。 劉明鑑 畢業於意大利米蘭布雷拉美術學院視覺藝術繪畫專業。中國新水墨畫院理事、深圳市美術家協會會員。出版個人作品集《先知》《餘燼》。 《行間》黎小敏 × 劉明鑑 AI 生成式影像 尺寸可變  

香港理工大學國家藝術基金 2025 年度藝術人才培訓資助項目成果展《時代回應筆墨 —— 中國筆墨精神的當代轉譯與時空對話》在深開幕

2026年7月10日，國家藝術基金2025年度藝術人才培訓資助項目《數字藝術展覽管理人才培訓》成果展《時代回應筆墨——中國筆墨精神的當代轉譯與時空對話》在深圳市關山月美術館正式開展。本次展覽由香港理工大學主辦，香港理工大學設計學院、深圳市關山月美術館、香港理工大學文化與藝術科技研究中心、香港理工大學英偉達聯合研究中心共同承辦，獲中國香港特別行政區政府文化體育及旅遊局文化交流活動資助。 7月15日上午11時，展覽開幕式在館內舉行，相關領導嘉賓、多位知名藝術家、專家學者，以及培訓項目授課導師、學員齊聚一堂，共同見證展覽開幕。 當下，人工智能、交互設備等數字技術正不斷融入藝術創作與展覽實踐，也為傳統筆墨精神打開了新的表達語境。如何藉助數字媒介激活筆墨精神的時代價值，是當代藝術創作與數字策展領域共同面對的課題。本次展覽以「中國筆墨精神的當代轉譯」為核心主題，通過數字藝術、智能交互、空間敘事等多元媒介，呈現傳統筆墨精神在數字時代的多維表達。 作為「數字藝術展覽管理人才培訓」項目的成果展，本次展覽在項目負責人、香港理工大學杜本麟教授的總體指導下完成策劃與實施，集中呈現了項目的教學成果與學員的策展、創作實踐。 開幕式上，香港理工大學設計學院院長李健杓教授談到，本項目探索的不只是一次數字藝術展覽管理人才培養實踐，更是新時代設計教育回應數字化轉型、人工智能發展與文化傳承的一種新路徑。他表示，未來的設計教育，培養的應是既懂文化、懂社會、懂技術，又具備跨學科整合與創新表達能力的新一代設計人才。 項目負責人杜本麟教授介紹了項目的人才培養理念：培訓圍繞藝科融合、數字策展、公共傳播構建教學體系，以真實展覽項目貫穿課程學習與策展實踐，讓學員在項目推進中提升策展組織、團隊協作、媒介整合與公共傳播能力。他認為，數字藝術展覽管理人才既要有藝術素養，也要理解數字技術的發展邏輯。 深圳市關山月美術館館長陳俊宇表示，希望以此次展覽為契機，深化館校合作，為數字藝術人才培養搭建更開放、多元的交流平台。 學員策展人代表天津美術學院許楠副教授回顧了培訓結束後團隊持續線上研討、打磨方案、推動展覽落地的過程。他談到，這次展覽不僅是培訓成果的集中展示，也是學員們一次跨學科、跨領域的協同創作實踐。 開幕式上，香港理工大學與深圳市關山月美術館簽署諒解備忘錄，雙方將在文化與藝術科技學術交流、公共美育、產學研成果轉化等領域建立長期合作機制，為粵港兩地藝術教育與文化交流注入新動力。 開幕式結束後，與會嘉賓在策展團隊代表李書天的導覽下步入展廳，近距離觀摩參展作品，並圍繞數字藝術、傳統文化創新表達等話題展開交流。 展覽由「時空對話」與「當代轉譯」兩個單元構成，通過不同藝術家的跨媒介實踐，共同回應中國筆墨精神在數字時代的發展命題。 「時空對話」單元聚焦筆墨精神的歷史延續與哲學拓展，邀請不同代際的藝術家展開傳統與當代、東方與數字之間的對話。單元中既有將傳統水墨與光纖互動材料結合、讓靜態筆墨化為流動光影的科技藝術實踐，也有藉助浮空全息投影、沉浸式數字光影空間、動態機械裝置，將書法、水墨、山水等傳統視覺經驗重新組織為可觀看、可感知、可交互的數字藝術場域 —— 筆墨不再停留於紙面，而是在光影、演算法與物理空間中獲得新的生命形態。 「當代轉譯」單元聚焦人工智能生成藝術、交互影像、沉浸式空間、多感官藝術等新媒介實踐，探索數字媒介對筆墨語言的重新生成。藝術家藉助人工智能、多感官裝置、生物傳感、機械動力等技術，將傳統水墨從二維視覺擴展為融合視覺、聽覺、觸覺、嗅覺、身體感知與實時交互的綜合體驗，觀眾既是觀看者，也是作品生成過程的參與者，在與作品的持續互動中，共同完成傳統筆墨在數字時代的再創造。 展覽期間，主辦方還圍繞展覽主題舉辦《墨韻・時代對話》研討會及系列公共工作坊，邀請參展藝術家、項目導師與學員，圍繞水墨藝術的跨界探索、人工智能與傳統文化轉譯等話題展開分享與研討，並同步面向公眾開放，讓觀眾得以從展覽之外的角度，進一步走近數字時代的中國筆墨精神。 從策展統籌、視覺設計、空間規劃，到公共教育、宣傳推廣與展覽實施，項目學員全程深度參與，在展覽實踐中同步積累專業能力與策展經驗，是項目「以展促學、以展育人、學用結合」理念的一次完整實踐。 本次展覽不僅展示了國家藝術基金人才培養項目的階段性成果，也為中國筆墨精神在數字時代的創新表達提供了新的實踐樣本。未來，項目將持續推動數字藝術展覽管理人才培養，探索傳統文化與數字科技融合發展的更多可能。 展覽將持續展出至 2026 年 8 月 4 日，面向公眾免費開放。 關山月美術館展覽網頁：http://www.gsyart.com/exhibition_detail.action?id=2235  

The 16th BIFF 72 Hours AIGC Film Hackathon - Hong Kong Station Preliminary Round has successfully concluded

（Hong Kong, 2 Apr 2026） The 16th BIFF 72 Hours AIGC Film Hackathon - Hong Kong Station Preliminary Round concluded at PolyU on the same day. Co-organised the Hong Kong Station Preliminary Round by School of Design, The Hong Kong Polytechnic University, the competition attracted talented AIGC filmmakers from Hong Kong, who embraced the challenge of producing AI-generated storytelling short films within limited time and resource constraints. It showcased the creative potential of integrating artificial intelligence with the art of filmmaking and bridging the connection for AI and film cultural exchange between Beijing and Hong Kong. Following the BJIFF AIGC Unit standards for preliminary rounds held across different cities, the four-hour event comprised a three-hour creation session during which participants produced an AIGC-driven short film of at least one minute in length, followed by a screening and a panel judging discussion. Three authoritative judges were invited to form a professional jury, namely Prof. Henry Duh (Associate Dean of School of Design), Ms. Step Cheung (Deputy Programme Leader of Digital Media, School of Design and Art Director of the Golden Horse Award-winning film "Beyond the World"), and Dr. Sky Lo (Assistant Professor of School of Design). From a professional perspective, the three judges assessed submissions according to the BIFF AIGC Unit’s evaluation guidelines, recognizing the creative potential demonstrated by the participants. Judges shared strategic advice and industry insights with the participants after the judging session. The improvised roundtable discussion turned the event into an active cultural exchange platform. As Co-organisers of The 16th BIFF 72 Hours AIGC Film Hackathon - Hong Kong Station Preliminary Round, Research Centre for Cultural and Art Technology, PolyU-NVIDIA Joint Research Centre and PolyU Creative Technology Centre (Beijing) dedicated to build a professional exchange platform for local AIGC film creators, effectively promoting the popularization and application of AIGC technology in the film and television field, and further deepening the pragmatic cooperation between Beijing and Hong Kong in the field of cultural and technological integration. It is reported that the outstanding participating teams of this event will obtain opportunity to advance to the Finals in Beijing, which will be held from 20 - 23 Apr 2026, competing with top global creators on the same stage to jointly explore new paths for AIGC film creation.  

Tech Awakens Heritage: Prof. Henry Duh Leads a New Era of Intangible Cultural Heritage Preservation, Featured in Singapore Channel News Asia

(Singapore) Channel News Asia spotlights the groundbreaking efforts of Prof. Henry Duh, Director of the POLYU-NVIDIA Joint Research Centre, and his team in integrating cutting-edge technology with intangible cultural heritage (ICH). From generative AI capturing master craftsmen’s skills to VR-enabled learning and AI-created "digital humans" reviving indigenous cultures, their work, alongside the participation of young entrepreneurs, proves that technology is not just a tool for preservation, but a bridge connecting tradition to the younger generation. Backed by national funding, this initiative is redefining how heritage thrives in the modern era. In a television interview, Prof. Henry Duh emphasized the inadequacies of conventional ICH preservation methods today. “While traditional approaches respect the essence of heritage, they are often slow and fail to resonate with young people,” he explained. “Digital technology is a transformative force—it makes traditional crafts more accessible and engaging, effectively sparking the younger generation’s interest.” This year, PolyU made history as Hong Kong’s first UGC-funded tertiary institution to secure funding from the China National Arts Fund. The funding supports the university’s mission to revitalize traditional arts and drive the digital transformation of the cultural sector. Under Prof. Duh’s guidance, PolyU’s PhD students have launched a series of pioneering initiatives. One project led by PhD student Chai Yichen utilizes generative AI to capture the intricate techniques of a master porcelain painter, simplifying complex processes into interactive, easy-to-follow steps. “Masters often struggle to articulate their skills using terminology that young people can understand,” Prof. Duh noted. “3D digital replication and virtual reality (VR) allow learners to observe workflows from multiple angles—a distinct advantage over traditional videos.” VR technology also addresses the scarcity of master artisans by enabling skill acquisition without the need for physical proximity to craftsmen. Another standout project, led by PhD student Xu Yue, leverages AI to create a “digital human” representing the Tanka people—Hong Kong’s indigenous boat-dwelling community whose culture is rapidly fading. “Interactive tools such as QR code audio guides can bridge the gap between young people and these marginalized cultures,” Xu said, adding that the project’s engaging format has already sparked youth interest in cultural heritage. Researchers quoted in the coverage stressed that for traditional crafts to thrive in the modern world, they must be applicable, relatable, and integrated into daily life. Through the collaboration of academia, technology, and youth creativity, the Research Centre is dedicated to opening a new chapter for the inheritance of intangible cultural heritage.   To learn more about the information, please visit: Young Hong Kong residents apply modern touches to preserve traditional crafts, attract new crowds

Prof. Henry Duh Reflects on Curiosity and AI at Business of Design Week (BoDW) 2025

(Hong Kong) As an invited speaker at the Business of Design Week (BoDW), Prof. Henry Duh, Director of PolyU Research Centre for Cultural and Art Technology shared his insights during the panel discussion titled “Curiosity, Design, and AI: Shaping the Future of Creative Innovation.” The BoDW theme of the year, "Curiosity Ignites Design Innovation," served as a backdrop for exploring how curiosity fuels the creative process in design. During the discussion, Prof. Duh emphasized the critical role curiosity plays in the lives of designers and society as a whole. He remarked, “Curiosity is one of the driving forces behind human progress and a key ability for designers to solve problems. Without curiosity, we lose our passion for life and the ability to explore. Stimulating curiosity in designers and users alike makes design more engaging, diverse, and aligned with needs.” The panel featured esteemed experts, including Prof. Cabirio Cautela (POLI.design), Mr. Stefano Carta Vasconcellos (Istituto Europeo di Design), and Prof. Giovanni Caruso (Domus Academy). They discussed how AI can enhance human imagination and support innovative solutions in the creative process. Prof. Duh, alongside local leaders such as Mr. Lam Wai Keung (Hong Kong Design Institute) and Ms. Amy Ip (CaaS), contributed fresh perspectives on the implications of AI in shaping the future of design. His reflections highlighted the importance of fostering a culture of curiosity in education and practice, ensuring that designers are equipped to meet the challenges of a rapidly evolving landscape. “Engaging in these conversations at such an influential platform is crucial,” Prof. Duh stated. “It allows us to challenge traditional boundaries and explore new avenues for creativity through the integration of AI.”   For more information on the Business of Design Week and access to the full panel discussion, please visit BoDW's website.

国家艺术基金《数字艺术展览管理人才培训》录取学员名单公示

录取学员名单公示   依照国家艺术基金《数字艺术展览管理人才培训》项目招生计划与要求,本着择优录取、培养人才的原则, 经国家艺术基金审核确定, 本项目最终录取以下 20名学员。 现予以公示:   1 張凡 2 黄剑平 3 周玲玲 4 王馨梓 5 周庭京 6 王子琪 7 孙家玥 8 苏洋 9 罗力华 10 李书天   11 姚佳良 12 许楠 13 潘佳琪 14 宋卓怡 15 郭佳 16 朱淑桢 17 張旭敏 18 修昕昕 19 黎小敏 20 栾宁      

Grand Opening Ceremony of New Research Centre - The PolyU Creative Technology Centre (Beijing)

The PolyU Creative Technology Centre (Beijing), led by Professor Henry Duh, the Director of the PolyU-NVIDIA Joint Research Centre, was officially inaugurated on 30 Apr 20255. The new centre marks a major step forward in HK-Beijing collaboration across various aspects of creative technology with a focus on AI, the metaverse, professional support, industry-academic partnerships, talent exchange, bringing together top I&T talent to conduct in-depth studies on frontier technology development trends and policymaking in I&T etc. On the same occasion, two MOUs were signed between the School of Design (SD) and the Industrial Culture Development Centre of MIIT (ICDC), as well as the Central Academy of Fine Arts (CAFA). These collaborations will drive innovation by integrating advanced technologies with design and culture, empower SMEs, fostering talent exchange across regions, and strengthening collaborations in research, education, and cultural initiatives. This milestone will advance innovation, talent development, and technology commercialisation between Beijing and Hong Kong, fostering a dynamic ecosystem of collaboration and growth! 由理大英偉達聯合研究中心主任杜本麟教授領導的香港理工大學創意科技研發中心於4月30日正式揭牌。該中心於北京朝陽元宇宙產業基地落地，標誌朝陽區和香港兩地在科技創新領域合作邁向新高度。未來，雙方將在政策、人才、技術、產品、生態上展開全方位、深層次的科創合作，並通過人才交流、企業合作、科技成果轉化等創新舉措為朝陽區數字經濟注入國際元素，以及為香港理工大學科技成果轉化擴展廣闊空間，共同推動兩地科技創新產業蓬勃發展。 香港理工大學創意科技研發中心是朝陽區與理大合作共建的國際化產學研科技創新平台，以人工智能(AI)與元宇宙產業為核心方向，將系統推進學科體系構建與人才培養機制優化，設立合作機制支持兩地學生交流，並引進高端科技人才參與指導工作，為高端科技人才與青年人才提供創新創業的沃土。此外，中心將作為京港兩地及國際合作交流的平台，通過孵化、賽事等活動，加強產業上中下游協同交流，推進核心技術攻關、場景應用落地和商業化閉環，加速科技成果向產業產品轉化，促進國際合作項目的落地與推廣。 與此同時，香港理工設計學院與信息化工業文化發展中心和中央美術學院，今天分別舉行人才簽約儀式，將在工業文化和藝術兩大領域積極推進人才培養和青年人才創新創業工作。 北京市經濟和信息化局二級巡視員張宇航，中關村朝陽園管委會（朝陽區科信局）主任婁毅翔，工業和信息部工業文化發展中心副主任李寧，國務院發展研究中心港澳研究所秘書長楊鑫以及理大校董會主席林大輝、副校長趙汝恒，中央美術學院院長林茂等，出席揭牌與簽約儀式。   Learn more: China News Service - https://polyu.me/4iDKncI Hong Kong Commercial Daily - https://polyu.me/3ERQpbW ifeng.com - https://polyu.me/3Sdflhb BJ News - https://polyu.me/4d5ltBN China.com - https://polyu.me/438x6V9 Sina HK - https://polyu.me/44hNfsr NetEase - https://polyu.me/4cRkKUy Eastday - https://polyu.me/4cSxo5L Sina - https://polyu.me/3SdOGkk Sohu - https://polyu.me/4362QKy qq - https://polyu.me/4d7bcoH  

PolyU becomes Hong Kong’s first tertiary institution supported by China National Arts Fund to nurture digital art curation talents

(April 24, 2025) The Hong Kong Polytechnic University (PolyU) has become Hong Kong’s first tertiary institution to receive funding from the prestigious China National Arts Fund 2025 under the art talents training category. The funded Digital Art Curation Talents Training Programme will be launched by the PolyU Research Centre for Cultural and Art Technology (CAT) under the School of Design, with support from the PolyU-NVIDIA Joint Research Centre. This initiative aims to nurture the next generation of talent in digital art curation across the Guangdong-Hong Kong-Macao Greater Bay Area(GBA) and fostering Hong Kong’s position as an East-meets-West centre for international cultural exchange. The Nation’s strategy of prioritising cultural digitalisation, along with the HKSAR Government’s commitment to integrating art and technology into the creative industries, underscore the strong demand for professionals who can navigate both cultural heritage and innovation. Led by Prof. Henry Been-Lirn DUH, Associate Dean (Global and Industry Engagement) of the PolyU School of Design, Director of the Research Centre for Cultural and Art Technology and Director of the PolyU-NVIDIA Joint Research Centre, the Programme is set to launch in the summer of 2025, targeting experienced curators, art management professionals and researchers from Hong Kong and the GBA. Scholars from PolyU, and universities in Macao and mainland China, as well as experts from art institutions, will provide advanced training in digital art management. This will include lectures on theory, case studies, curatorial practice workshops, field trips, presentations, exhibitions and seminars, which will be held in Hong Kong and Shenzhen. The topics will cover the applications of generative artificial intelligence, virtual reality and augmented reality, immersive technology, and digital spatial design in the field of art and curation, highlighting the revitalisation of traditional art and promotion of digital transformation of cultural industry. Prof. Henry Duh said, “We are honoured to receive this National funding, which not only sustains our commitment to nurturing digital art curation talents but also acknowledges our team’s contribution to advancing art technology. This Programme will empower the next generation of innovative curators who will inherit and innovate Chinese culture, and integrate creativity and technology to promote cultural exchange between east and west, helping shape the future of the art world. It will also help strengthen art and technology collaboration among GBA cities, which will, in turn, enhance the region’s cultural soft power.” CAT, housed within the PolyU School of Design, serves as a collaborative platform for academia-industry research, advocating interdisciplinary studies in culture, artand technology. By leveraging Hong Kong’s connection with the GBA, CAT aspires to foster partnerships among researchers, designers, artistsand other creative practitioners, cultivating a vibrant environment for artistic activities to expand market opportunities. ***END***

Media Interview: PolyU develops AI platform to preserve and promote Cantonese Porcelain art

As the number of people learning the art of Cantonese porcelain diminishes, our Centre Director, Prof. Henry Duh, has led our research team to develop a creative painting platform named “Beauty of Cantonese Porcelain.” It seamlessly blends the essence of traditional Cantonese porcelain art with cutting-edge generative artificial intelligence (AI), forging new pathways for preserving and promoting this precious intangible cultural heritage. “Beauty of Cantonese Porcelain” leverages generative AI to precisely control creative details, significantly reducing the time and effort traditionally required for creating Cantonese porcelain. In a recent media interview, Prof. Duh shared that the platform provides real-time evaluation and targeted guidance through a large AI model. This interactive and personalised feedback enhances users’ skills, makes the art form more accessible, and encourages creative expression, all while supporting the preservation of this intangible cultural heritage. Generative AI has not only revolutionised traditional art teaching methodologies but has also dramatically improved the efficiency of cultural transmission, unlocking unprecedented possibilities for artistic creation. Prof. Duh highlighted that collaborations with museums and cultural preservation organisations will further refine and validate the platform’s innovative approach, extending its benefits to a wider range of intangible cultural heritage.   Interview Replay (In Chinese Only): https://www.youtube.com/watch?v=pUPmUP8dtG0

PolyVerse Exhibition Concluded with Innovative AI Film Competition and Cultural Heritage Symposium

(February 27, 2025) Hong Kong - The "PolyVerse - Culture and Art Technology Exhibition" concluded with a prestigious closing ceremony and awards presentation for “The AI-Powered Legacy – 48 Hour AI Film Competition” at The Hong Kong Polytechnic University. Curated by Prof. Henry Duh, Associate Dean (Global and Industry Engagement) of PolyU's School of Design, the exhibition was supported by 10 prestigious art institutions across China. 25 pioneering research projects and installations were showcased using LG's ultra-fine Smart AI monitors. This extraordinary collection of digital art and cultural innovation demonstrated the dynamic intersection of traditional heritage and cutting-edge technology. (Prof. Kun-Pyo Lee, Dean of PolyU School of Design, delivers opening remark to PolyVerse – Culture and Art Tech Exhibition.) (Prof. Henry Duh, Associate Dean of PolyU School of Design (Global and Industry Engagement), delivers curator’s remark to PolyVerse – Culture and Art Tech Exhibition.) (Group photo with sponsors and judges of The AI-Powered Legacy – 48 Hours AI Filmmaking Competition. (From Left) Mr Peng Cheng, CEO of EcoPlants, Mr Rico Wong, Senior Manager of LG Electronics HK Ltd., Dr Charles Cheung, Co-Director of PolyU-NVIDIA Joint Research Centre and Deputy Director of NVIDIA AI Technology Center, Prof. Henry Duh, Associate Dean of School of Design and Director of PolyU Research Centre for Cultural and Art Technology and Director of PolyU- NVIDIA Joint Research Centre, Prof. Kun-Pyo Lee, Dean of School of Design,  Alan Lee, Audiovisual Expert, Dr Terry Lam, Dean of the School of Film and Television, The Hong Kong Academy for Performing Arts, Ms Joyce Lam, Senior Supervisor of LG Electronics HK Ltd.)   (Group photo with all the award winners of The AI-Powered Legacy – 48 Hours AI Filmmaking Competition and participating artists of PolyVerse – Culture and Art Tech Exhibition.) (Group photo with moderator and keynote speakers. (From Left) Dr Zhou Zhibin, Assistant Director of PolyU-NVIDIA Joint Research Centre,  Prof. Wu Yangbo, Associate Professor of Guangzhou Academy of Fine Arts, Prof. Yu Chunna, Professor of Tianjin Academy of Fine Arts, Prof. Ren Hongwei, Associate Professor of Sichuan Fine Arts Institute, Dr Terry Lam, Dean of the School of Film and Television, The Hong Kong Academy for Performing Arts, Prof. Yang Bo, Associate Professor of Xi’an Academy of Fine Arts)   "This exhibition represents a significant milestone in bridging traditional cultural heritage with cutting-edge technology," said Prof. Duh. "The scale of participation, with over 80 creators and researchers contributing their insights, demonstrates the enormous potential for technology to revolutionize cultural preservation and artistic expression."   The symposium presentations explored various aspects of digital cultural preservation, virtual reality in art, and sustainable development in cultural heritage protection. The PolyU Research Centre for Cultural and Art Technology and PolyU-NVIDIA Joint Research Centre served as a collaborative platform that brought together leading academics and industry experts, showcasing their dedication to advancing the field. (The exhibition view of PolyVerse – Culture and Art Tech Exhibition.) Explore the virtual exhibition now For media inquiries: rc.cat@polyu.edu.hk