Academic Staff

• Documenting Silk Heritage: A Global Collaboration for‘A Comprehensive Collection of Chinese Silks’, Orientations, 2025,Vol.56. No.6, pp. 46-56. (Co-author: Zhao Feng)
• “The Logic of Composition and Assembly: The Dalmatic of Benedict XI and panni tartarici in the 14th-Century”構成與拼合的邏輯：本篤十一世法衣與14世紀“韃靼布”, in Annuals of Transcultural History of Art: Towards the Art of Art History, Vol. IV跨文化美術史年鑒4：走向藝術史的藝術, edited by Li Jun, Jinan: Shandong Fine Arts Press, 2023, pp. 355–391.
• “The Fragments and the City: A Review of The City of Blue and White: Chinese Porcelain and the Early Modern World”碎片與城市：“青花之城: 中國瓷器和早期現代世界”書評. in Annuals of Transcultural History of Art: Towards the Art of Art History, Vol. IV跨文化美術史年鑒4：走向藝術史的藝術, edited by Li Jun, Jinan: Shandong Fine Arts Press, 2023, pp. 565–582. (Co-author: Li Fan)
• For a Fair(er) Global History, on Cromohs (Cyber review of modern historiography) Published February 3, 202. (Group work）
• “The Delusion of Guillotine: Based on the Relationship Between ‘Object’ and ‘Person’”斷頭臺遐想—基於物與人的關係視角. in Media Criticism媒介批評, Nanning: Guangxi Normal University Press, 2020, pp. 260-269.
• “The Emperor’s Ambition and the Literati’s Taste: From the Perspective of Flower Arranging in the Painting of ‘Tingqin Tu’”身份與趣味—<聽琴圖>中的鼎插花, in Hubei Institute of Fine Arts Journal湖北美術學院學報, 2020, Vol. 4, pp. 70-75.
• “From Chinese Lotus to ‘Pomegranate Motif’：The Oriental Origin of Italian Textile Design in the 15th Century”從中國蓮花到石榴型圖案—15世紀義大利紡織品設計的東方來源. in Annuals of Transcultural History of Art: A Story Told in Two Ways. Vol.I跨文化美術史年鑒1：一個故事的兩種講法, edited by Li Jun, Shandong Fine Arts Press, pp. 125-168

Book

• Scientific Researches on Textile Archaeology in China, by Zhao Feng, Zhou Yang, Liu Jian et.al. (published by Springer, in preparation) 《中國紡織考古與科學研究》, 趙豐、周旸、劉劍等著，上海：上海科學技術出版社，2018年。

Articles

• “The ‘Material Turn’ in World History and Global History” 全球史的“物質轉向”, by Giorgio Riello. in Global History Review 全球史評論, 2025, Vol. 28, pp. 40–75.
• “For a Fair(er) Global History” 更公平的全球史, by EUI Seminar group, in Annuals of Transcultural History of Art: The Image of the History. Vol. III 跨文化美術史年鑒3：古史的形象. edited by Li Jun, Jinan: Shandong Fine Arts Press, 2022, pp. 497-506.
• “The Cultural Biography of Things: Commoditization as Proce” 物的文化傳記：商品化作為過程, by Igor Kopytoff, in Annuals of Transcultural History of Art: The Image of the History. Vol. III 跨文化美術史年鑒3：古史的形象. edited by Li Jun, Jinan: Shandong Fine Arts Press, 2022, pp. 399-420.
• “Indigenous Elements In Central Asian Silk Designs Of The Mongol Period, and Their Impact On Italian Gothic Silks” 元朝時期中亞絲綢設計的本土元素及其對義大利哥特式絲綢的影響, by Anne E. Wardwell, in Annuals of Transcultural History of Art: A Story Told in Two Ways. Vol.I跨文化美术史年鉴1：一个故事的两种讲法, edited by Li Jun, Jinan: Shandong Fine Arts Press, 2019, pp. 341-354.
• “Italian Merchants on the Silk Road between the XIIIth and XIVth Centuries” 13-14 世紀絲綢之路上的義大利商人, by Luca Molà, in Finding A Homeland At The End Of The World: The Trans-Cultural Exchanges and Interactions Between China and Italy From the 13th to the 16th Century 在最遙遠的地方尋找故鄉：13—16世紀中國與義大利的跨文化交流, Beijing: The Commercial Press, 2018, pp. 295-303. (Co-translator: Liu Shuang)
• “Italian Merchants on the Silk Road between the XIIIth and XIVth Centuries”13-14 世紀絲綢之路上的義大利商人, by Luca Molà, in Embracing the Orient and the Occident: When the Silk Road Meets the Renaissance 無問西東：從絲綢之路到文藝復興, Beijing: Beijing Times Chinese Press, 2018, pp. 365-380.(Co-translator: Liu Shuang)

• 2024-2027 主持國家社科基金中華學術外譯項目「中國紡織考古與科學研究」
• 2023-2025 主持中國博士後科學基金面上項目「13-14世紀絲綢之路上的絲綢藝術研究」
• 2024-2026 參與浙江文化研究工程重大項目「中國絲綢藝術大系」

獲獎

• 2024 馬普藝術史所獎學金，第36屆世界藝術史大會
• 2020 中國國家獎學金（中國教育部）
• 2020 國家公派留學獎學金，中國國家留學基金管理委員會
• 2019 芝加哥大學與蓋蒂基金會，中國藝術史工作坊