研究人員

1) 沈麗 譯，〈克勞斯-迪特·馬特斯（Klaus-Dieter Mathes）：經續圓融 弟子對噶舉派顯教「大手印」形成的影響〉，收錄於沈衛榮，侯浩然主編《大手印與 如來藏》（編輯中）。

2) 沈麗，孔令偉 譯：〈理查德 K. 佩恩（Richard K. Payne）：《密教在東亞》導論〉，收錄於沈衛榮主編：《何謂密教？關於密教的定義、修習、符號和歷史的詮釋與爭論》[What’s Tantrism? The Interpretation and Controversy of the Definition, Practice, Semiology, and Historiography of Tantrism]。北京：中國藏學出版社，2013年（第一版），2016年（第二版），2023年（重印），頁71-113。

1) SHEN Li, “When Indian ‘Victorious Crown Ornament’ Encounters China: A Study on the Ritual Texts, Imagery, and the History of Buddhist Teachings Related to the Uṣṇīṣavijayā Maṇḍala during the Song-Yuan Period (960-1368),” Pacific World: Journal of the Institute of Buddhist Studies, 4th ser., no. 6 (2025), pp.51-80.

2) SHEN Li, “Maṇḍala or Sign? Re-Examining the Significance of the ‘Viśvavajra’ in the Caisson Ceilings of Dunhuang Mogao Caves,” Religions 2024, 15(7): 803. (DOI: https://doi.org/10.3390/rel15070803)

3）沈麗：〈宋夏所見「頂髻尊勝曼荼羅」的傳規、互動及文化遺產：兼談榆林第3窟的斷代問題〉，《傳統文化研究》，2025 年 2 期，頁 106-124。

4) 典典，沈麗，皮迷迷：〈「厭女」與「母職」：對談文學藝術作品中的女性形象〉，《中文學刊》2022年4月，頁122-130。

1)SHEN Weirong and SHEN Li, “How to Understand the Reincarnation System of Living Buddhas of the Dalai Lama?” Deep China, Jul.17,2024. (http://www.china.org.cn/deepchina/2024-07/17/content_117315613.shtml)

2) SHEN Weirong and SHEN Li, “Deconstructing the ‘Imagined Xizang (Tibet)’ to Restore the Real Xizang,” Deep China, Part I, April 25, 2024. (https://deepchina.substack.com/p/deconstructing-the-imagined-xizang); Part II, Apr.30, 2024. (https://deepchina.substack.com/p/deconstructing-the-imagined-xizang-a36)

1) Presenter,「吐蕃僧諍」的現代性敘事：20 世紀上半葉藏傳佛教格魯派內部分歧與漢藏 佛教互動[The Modern Narrative of Le Concile de Lhasa: The Gelug School’s Internal Divisions in the First Half of the 20th Century and Sino-Tibetan Buddhist Interactions], in The New Banquet of the Sages: Seminar on Tibetan Literature and the History of Multicultural Exchange and the 10th Anniversary Memorial of Prof. Wang Yao’s Passing, May 23-26, 2025, Nanjing University, Nanjing.

2) Presenter, “Traditional Culture and Its Digital Presentations Under the Pandemic: Examples from Two ‘Forbidden City’ Digital Exhibitions in 2020”, in Talking Across the World Symposium: Global Communication of Chinese Culture in the Digital Age 2025, May 16-17, 2025, The Hong Kong Polytechnic University, Hong Kong.

3) Presenter, “When Indian ‘Victorious Crown Ornament’ Encounters China: A Study on the Uṣṇīṣavijayā Maṇḍala during 10th to 14th Centuries,” in Interdisciplinary Studies on Chinese Buddhism in the Greater China Area: Retrospect and Prospect, The Chinese University of Hong Kong, Dec. 2024, HKSAR; in International Workshop on Buddhist Civilization and Manuscript Culture along the Silk Road, Zhejiang University, Nov. 2024, Hangzhou; and in Sakya Figures, Teachings, and History from the Perspective of Sino-Tibetan Buddhist Studies, Tsinghua University, Jul.2024, Beijing.

4) Coordinator and Presenter, 晚清民國中央與西藏地方稱謂用語變化及對近代漢藏關係 的影響[“Changes in the Terminology Used by the Central Government and Tibet during the Late Qing and Republican Periods and Their Impact on Modern Sino-Tibetan Relations”],in The 1st Symposium on Cultural Symbiosis and Ethnic Integration, Sep.21, 2024, Sichuan University and The Hong Kong Polytechnic University, Chengdu.

5) Presenter,「新國潮」的歷史文化敘述：基於大國學、藝術史學和語文學的發思[“The Historical and Cultural Narration of ‘New China-Chic’: Thoughts on Great Chinese Classics, Art History and Philology”], in 2021 International Conference on Global Cultural and Creative Industries, Shanghai Jiao Tong University, Dec., 2021, Shanghai.

6) Presenter, 空白期青花梵文瓷器研究（1436-1464）：圖像,內容與用途[“Studies On Sanskrit Blue-and-White Porcelains in Interregnum Period (1436-1464): Images, Contents and Functions”], in 2018-19 DILA Winter Program, Jan.7-22, 2019, Taipei.

1) Researcher, “The Bei Shan Tang Legacy: Chinese Seals” by Art Museum of CUHK, Sep.28,2024 to Feb.9, 2025, Hong Kong SAR.

2) Chinese Translator and Proofreader, Sparkle and Charm: Canton Enamels of the Qing Dynasty 總相宜：清代廣東金屬胎畫琺瑯(China National Arts Fund Project,2022-23). XU, Xiaodong and CHOW, Ying-ching eds., Hong Kong: Art Museum and Department of Fine Arts, CUHK香港中文大學文物館, 2023.

3) Catalogue Entries, “Jingdezhen Blue-and-White Inscriptional 18 Arhats Pen Holder”景德鎮窯青花題記十八羅漢圓筆筒, “Si-sheng-yuan”《四聲猿》in WAN, Chui-ki and JIANG, Fangting eds., Transcending Transience: Art Culture of Late Ming Jiangnan浮世清音：晚明江南藝術與文化. Hong Kong: Art Museum and Department of Fine Arts, CUHK香港中文大學文物館, 2021, p.246(Book I), and p.56(book II),pl.1.75 and 2.14.

4) Catalogue Entry, “Stem Bowl with Tibetan Characters in Blue-and-White”青花藏文靶碗, in Gu Gong Bo Wu Yuan ed., Sumi Blessing: When Tashi Lhunpo Monastery meets the Forbidden City 須彌福壽：當扎什倫布寺遇上紫禁城. Beijing: The Palace Museum故宮出版社, 2020, pp.478-479, pl.175.

1) 主講人：從河西走廊到飛來峰：以尊勝信仰為例談 10—14 世紀漢藏佛教藝術的互動，廣東技術師範大學, Apr.23, 2025.

2) Speaker, “Research Methods in the Study of Buddhist Art: Cave Analyses on the Significance of ‘Viśvavajra’ in the Caisson Ceilings of Dunhuang Mogao Caves,” The University of Hong Kong, Apr. 30, 2024.

3) Speaker, “The Significance of the Caissons with a Viśvavajra Sign in Dunhuang Mogao Caves,” Flying Club, Central, Nov.22, 2023.

1) “Tsinghua University’s New Study of Sakya Figures, Doctrine, and Places,” Buddhistdoor Global, Aug. 24, 2024. (https://teahouse.buddhistdoor.net/tsinghua-universitys-new-study-of-sakya-figures-doctrine-and-places)

2) “A Tantric Story: The Viśvavajra Presence at Dunhuang and Sino-Tibetan Esotericism,” Buddhistdoor Global, Apr. 14, 2024. (https://teahouse.buddhistdoor.net/a-tantric-story-the-visvavajra-presence-at-dunhuang-and-sino-tibetan-esotericism)

Consultancy and Service to the Profession or the Public

1) Academic Reviewer for Religions (2024-)

2) Member, Friends of Art Museum, CUHK (2024-)

3) Director, Xuhui District Overseas Friendship Association, Shanghai (2020-)

Funds

1) Madeleine Tang Friends Research and Education Fund Award, CUHK (2022-23, HK$ 50,000)

2) Curatorial Project “Traversing the Forbidden City: The Common Folks Behind the Vermilion Walls,” Sponsored by The Art Promotion Office, The Leisure and Cultural Services Department, Hong Kong SAR (2020, HK$ 100,000)

3) Friends of Art Museum Research Grant, CUHK (2019-20, HK$ 15,000)

4) Talent Development Scholarship, Hong Kong SAR (2018-19, HK$ 10,000)