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RCCHC「历史上的中国与世界」讲座系列 23 - A Master of Chinese Art in South America: Zhang Daqian’s Brazilian Years and Their Cultural Repercussions

  • 日期

    2025年11月10日

  • 主办单位

    中国历史与文化研究中心、中国历史及文化学系

  • 时间

    16:45 - 18:00

  • 地点

    理大校园 CD302  

讲者

Dr Guilherme Gorgulho

查询

罗嘉敏 小姐 34008979 rcchc@polyu.edu.hk

备注

此讲座将会以英语进行

摘要

(只提供英语版本) The lecture will examine the trajectory of the Chinese painter, poet, calligrapher, and collector Zhang Daqian (1899–1983), who, after leaving mainland China in 1949 and residing temporarily in Hong Kong, relocated to South America in 1952. This decision was not incidental but rather the outcome of a constellation of factors, including social and professional networks cultivated in Hong Kong. Following a brief stay in Argentina (1952–1953), Zhang Daqian established a prolific and dynamic presence in Brazil (1954–1973), characterized by solo and group exhibitions, interactions with members of the Chinese diaspora, and sustained visibility in the national press. The Brazilian landscape emerged as a recurrent source of inspiration in his artistic production, while his activities played a decisive role in promoting Chinese art in Brazil, with significant implications for cultural exchange between the two countries.

讲者

Dr Guilherme Gorgulho

Courtesy Professor, University of Campinas, Brazil

(只提供英语版本) Guilherme Gorgulho is a Courtesy Professor in the graduate program at the Laboratory for Advanced Studies in Journalism at the University of Campinas (Unicamp). He holds a B.S. degree in Social Communication (2000), a master’s degree in Scientific and Cultural Communication (2013), and a PhD in Social Sciences at Unicamp (2025), where he has worked as a journalist since 2010. He has been an associate researcher at the Zhang Daqian Research Center at Neijiang Normal University in Sichuan Province since 2017, and worked as associate producer and consultant for the documentary film, titled Of Color and Ink (2023). His research focuses on the history of Chinese art, with a concentration on modern and contemporary painting; and social studies regarding Chinese diasporic artists, especially Zhang Daqian.

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